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Color in Video Production
While it’s impossible to know what every camera, codec, LUT, color profile, data rate, and bit depth will do for your images, having a general knowledge of different workflows and options is useful so you can properly plan your projects to be as effective as possible. With the advancements in digital cameras and editing software, there are now multiple options and workflows for handling color throughout your film or video project.
The Art of Color
In film and video, color correction and color grading are very often talked about together, but in actuality are two separate tasks. They’re combined because of their reliance on the same tools. Both are also normally handled one after the other in post- production. While neither will fix bland or bad cinematography, both can truly make a great shot fantastic.